Happy Earthday Black Moses
- August 17th, 2010
- Write comment
Claiming Garvey and Rastafari



Carolyn Cooper, Contributor
“Intelligence rules the world, ignorance carries the burden.” That’s one of my favourite quotes from the phenomenal archive of Marcus Garvey’s visionary mind. Some of us are still bearing the burdens of ignorance. We refuse to rule our own world intelligently.
Last week’s column, ‘Reading and Writhing’, provoked the usual gut reaction from readers whose English comprehension skills are rather poor. My sister, Donnette, did warn me. She suggested that I highlight ‘both’ and ‘and’ in this sentence: ‘The Ministry of Education must now ensure that every single child is given the opportunity to talk and write in both English and Jamaican.’
I purposely disregarded my sister’s advice, breezily asking her, “Den dem coulda fool enough fi tink seh mi no want di pikni dem learn English?” After all, I do teach English for a living. As it turns out, yes, dem fool enough. Some people seem to feel that the brain is like a coconut. If you full it up with one language, there’s no room left for others. So teaching literacy in Jamaican must mean that students won’t be able to learn English.
Then there’s the short-sighted claim that the Jamaican language has ‘geographical limitations,’ according to Ms Robertson in a very ‘speaky-spoky’ letter to the editor. ‘Nothing no go so’. Languages travel with their speakers. And there’s no place on Earth where you won’t find a Jamaican. Our mother tongue is a global language, just like reggae music. Ask the Japanese converts to Jamaican culture who don’t even know English. But they speak Jamaican.
‘Stop draw Jamaica small’
Another reader authoritatively declared that ‘English is the most widely spoken language.’ No. It’s Mandarin Chinese. Wikipedia lists Jamaican Creole in the group of languages with one to 10 million native speakers, giving a 2001 estimate of 3.2 million.
That outdated figure obviously doesn’t take into account the Jamaican diaspora and second language learners of Jamaican from other cultures. I estimate five million speakers, putting Jamaican in the same category as Hebrew, Danish, Norwegian, Swahili, Slovak, Gikuyu and Mongolian.
So there’s no need for us to ‘small up’ ourselves and our mother tongue. Louise Bennett, Jamaica’s premier cultural activist, tried her best to liberate us from the prison of self-doubt. Miss Mattie, one of the many outspoken characters created by Miss Lou, humorously declares:
She hope dem caution worl-map
Fi stop draw Jamaica small
For de lickle speck cyaan show
We independantness at all.
Moresomever we must tell map
We don’t like we position -
Please kindly teck we out a sea
An draw we in de ocean.
I’ll never be able to convince some people that Jamaican is a valuable language. I take consolation in another Marcus Garvey quotation: “God and nature first made us what we are, and then out of our own created genius we make ourselves what we want to be. Follow always that great law. Let the sky and God be our limit and Eternity our measurement.” This could easily be translated into Jamaican. But I don’t want to stress those people who have such a hard time reading and writhing!
This week, we celebrate the 123rd anniversary of the birth of the Right Excellent Marcus Mosiah Garvey. On August 17, Liberty Hall: The Legacy of Marcus Garvey hosts an open house and cultural fair dubbed, ‘Harambee.’ That Swahili word means ‘all pull together.’
Liberty Hall also launches the Marcus Garvey lecture today at 4 p.m. Professor Verene Shepherd will speak on ‘Marcus Garvey and the Education of People of African Descent in a Post-Colonial Society’. The venue is the Petroleum Corporation of Jamaica auditorium at 36 Trafalgar Road. It’s a pity that the event has gone uptown; but I gather that there are good technical reasons for not using Liberty Hall. The quality of sound recording in the open-sided great hall is not ideal.
Rastafari Studies Conference
Marcus Garvey would certainly endorse another major cultural event this week: the inaugural Rastafari Studies conference hosted by the Institute of Caribbean Studies at the University of the West Indies, Mona. The theme is ‘Negotiating the African Presence: Rastafari Livity and Scholarship’.
The conference is the brainchild of Dr Jahlani Niaah, who considered it imperative to commemorate the publication in 1960 of the far-reaching Report on the Rastafari Movement in Kingston, Jamaica. Co-authored by social anthropologist M.G. Smith, historian Roy Augier, and cultural critic Rex Nettleford, the high-level report, published by the then University College of the West Indies, confirmed the central role of academics as public intellectuals engaging with the pressing issues of the day.
Revolutionary Marcus Garvey had long advocated a daring conception of God that is celebrated by Rastafari: “If the white man has the idea of a white God, let him worship his God as he desires. If the yellow man’s God is of his race, let him worship his God as he sees fit. We, as Negroes, have found a new ideal. Whilst our God has no colour, yet it is human to see everything through one’s own spectacles, and since the white people have seen their God through white spectacles, we have only now started out (late though it be) to see our God through our own spectacles.
“The God of Isaac and the God of Jacob, let Him exist for the race that believes in the God of Isaac and the God of Jacob. We Negroes believe in the God of Ethiopia, the everlasting God – God the Father, God the Son and God the Holy Ghost, the One God of all ages. That is the God in whom we believe, but we shall worship Him through the spectacles of Ethiopia.”
Liberated from mental slavery, Garvey was able to envision an all-embracing plurality of gods. Refusing to bear the psychological burdens of the white man’s greedy god, Garvey created out of his own genius an ideology of emancipation that Rastafari affirms. As a nation, are we prepared to claim Garvey and Rastafari?
Carolyn Cooper, PhD, is a public intellectual specialising in cultural enterprise management. She is founder and director of the Global Reggae Studies Centre, a private- sector initiative. Send feedback to or .
source
Spear and the Garvey factor


Howard Campbell, Gleaner Writer
Today marks the 123rd year of pan-African leader Marcus Garvey's birth. It is also 35 years since Burning Spear recorded 'Marcus Garvey', one of the seminal albums of popular music.
Singer Winston 'Burning Spear' Rodney was cooling out at the Key Largo Beach in his hometown of St Ann's Bay in 1975 when he ran into Lawrence Lindo, a sound system operator popularly known as Jack Ruby. Their meeting was pivotal.
In a 1999 interview, Spear said Ruby spoke of his admiration for his work at the famed Studio One and expressed a desire to work with him. Ruby, who reportedly had ties to the illegal drug trade, said he would put up the funds to record the singer's debut album.
Spear agreed, and in a matter of weeks, he and back-up singers Rupert Wellington and Delroy Hines were at Randy's studio in downtown Kingston, where Ruby had assembled several of Jamaica's top musicians to record Marcus Garvey, a passionate homage to the country's first National Hero.
Bobby Ellis was one of those musicians. During a 2003 interview, he hailed Spear's ode to a forgotten hero.
"There was nobody talking 'bout Garvey at the time even though everybody was into black consciousness," Ellis recalled. "Spear felt Garvey was the right man for the times because that's what he stood for, black consciousness."
Born in 1887, Garvey was also a St Ann's Bay native. He left Jamaica in the 1900s and eventually ended up in Harlem, New York which had become a mecca for black thinkers like writers Langston Hughes and Zora Neale Hurston.
Fraud charges
Garvey became a leader of the Harlem Renaissance but, hounded by United States law enforcement, he was imprisoned on dubious fraud charges, then deported to Jamaica. He died from a stroke in London in June 1940.
His body was exhumed and shipped to Jamaica in November 1964. He was also officially recognised as a National Hero.
Spear, who took his moniker from Kenyan freedom fighter Jomo Kenyatta, had been inspired by Garvey's teachings. His early recordings were done for producer Clement 'Coxson' Dodd at Studio One, but though songs like Door Peep, Swell Headed, Foggy Road and The Sun were well received, they were not big sellers.
With little happening for his career, he retreated to St Ann's Bay. Four years after leaving Kingston, he met the jocular Ruby who was eyeing a new career as a producer.
At the time, roots-reggae was taking off internationally through Bob Marley, another St Ann-born singer/songwriter. Most of the musicians who worked on Marcus Garvey had done session work, or toured, with Marley.
They included guitarists Tony Chin and Earl 'Chinna' Smith of the Soul Syndicate Band; bass players Aston 'Family Man' Barrett and Robbie Shakespeare; keyboardists Tyrone Downie, Earl 'Wya' Lindo and Bernard 'Touter' Harvey.
The drummer was Leroy 'Horsemouth' Wallace while the horn section was completed by saxophonists Richard 'Dirty Harry' Hall and Herman Marquis, and trombonist Vin Gordon.
Ellis remembers the Marcus Garvey sessions taking three weeks to complete.
He says they were special.
"It was great, yuh know, everybody was striving for excellence in those days," he explained. "Spear is more of a chanter an' he doesn't use a lot of words, so that gives the musician an opportunity to express themselves."
Marcus Garvey was a revelation. It included the title track, Old Marcus Garvey, Slavery Days and Tradition, militant songs which introduced Spear to an audience that follows him to this day.
The album was picked up for distribution by Chris Blackwell's Island Records, and helped solidify reggae's emergence.
Garvey has been the unwavering focus of Burning Spear's music for over 35 years. He has won two Grammy Awards for Best Reggae Album and in 2007, was awarded the Order of Distinction (Jamaica's fifth highest civic honour) for his contribution to his country's music.


